Andrew R. Casper Copyright: 2014 Dimensions: 8 x 10 Page Count: 236 pages Illustrations: 34 color/50 b&w illustrations Hardcover ISBN: 978-0-271-06054-5 “Andrew R. Casper’s Art and the Religious Image in El Greco’s Italy makes an important contribution to the growing body of scholarship on El Greco, one of the most original and, often, least understood artists of the late Renaissance. In a probing and illuminating fashion, Casper reveals the ways in which El Greco’s encounter with both Counte..
The term “post-Tridentine” is used to describe the sacred art after the Council of Trent (1545-1563)...
El Greco is considered by some critics to be one of, if not the most famous Spanish painter. Some ha...
This study attempts to investigate the grotesque in four paintings of the artist Domenikos Theotokop...
The early career of Domenikos Theotokopoulos ( El Greco ) took the itinerant painter from his native...
The purpose of this article is to interpret a selection of El Greco’s Italian paintings (1560-1576) ...
Abstract The purpose of this article is to interpret a selection of El Greco’s Italian paintings (15...
This paper concentrates on the portraits of Dominicos Theotocopoulos, widely known as El Greco. An e...
The Pictorial Art of El Greco: Transmaterialities, Temporalities, and Media investigates El Greco’s ...
El Greco (1541-1614) The paintings of the artist El Greco are among the most distinctive works of ...
The paper aims to delineate certain issues on the nature of influence in the early works and practic...
Includes bibliographical references (pages 107-117)The purpose of this thesis is to examine the tota...
Art History Supplement, March 2015 Deadline for papers: January 15, 2015 This issue of Art History S...
EL GRECO’S PORTRAIT OF GIULIO CLOVIO AS CREATOR: AN ARTISTIC AFFINITY AND ASSERTION OF CREATIVE IDEN...
This issue of Art History Supplement seeks contributions discussing the work and the life of the art...
Renaissance Love. Eros, Passion, and Friendship in Italian Art around 1500 edited by Jeanette Kohl, ...
The term “post-Tridentine” is used to describe the sacred art after the Council of Trent (1545-1563)...
El Greco is considered by some critics to be one of, if not the most famous Spanish painter. Some ha...
This study attempts to investigate the grotesque in four paintings of the artist Domenikos Theotokop...
The early career of Domenikos Theotokopoulos ( El Greco ) took the itinerant painter from his native...
The purpose of this article is to interpret a selection of El Greco’s Italian paintings (1560-1576) ...
Abstract The purpose of this article is to interpret a selection of El Greco’s Italian paintings (15...
This paper concentrates on the portraits of Dominicos Theotocopoulos, widely known as El Greco. An e...
The Pictorial Art of El Greco: Transmaterialities, Temporalities, and Media investigates El Greco’s ...
El Greco (1541-1614) The paintings of the artist El Greco are among the most distinctive works of ...
The paper aims to delineate certain issues on the nature of influence in the early works and practic...
Includes bibliographical references (pages 107-117)The purpose of this thesis is to examine the tota...
Art History Supplement, March 2015 Deadline for papers: January 15, 2015 This issue of Art History S...
EL GRECO’S PORTRAIT OF GIULIO CLOVIO AS CREATOR: AN ARTISTIC AFFINITY AND ASSERTION OF CREATIVE IDEN...
This issue of Art History Supplement seeks contributions discussing the work and the life of the art...
Renaissance Love. Eros, Passion, and Friendship in Italian Art around 1500 edited by Jeanette Kohl, ...
The term “post-Tridentine” is used to describe the sacred art after the Council of Trent (1545-1563)...
El Greco is considered by some critics to be one of, if not the most famous Spanish painter. Some ha...
This study attempts to investigate the grotesque in four paintings of the artist Domenikos Theotokop...